When you have ideas or ideas, it's an important way to fully develop them. But at the Joris Laarman lab in the Netherlands, this is a central part of their daily activities. The lab was founded in 2004 by Joris Laarman and Anita Star and is quite active in the use of 3D printing for the design of works.
The lab's most sensational work is a 3D printed aluminum chair that was recently exhibited at the Friedman Benda Gallery in New York as part of the lab's "Bits and Crafts" exhibition. According to Tiangong, the work called “Aluminum Gradient Chair†is the result of extensive experimentation with the possibility of the laboratory as a way of constructing the microstructure.
Microstructure, as the name suggests, is a very tiny structure found in any particular material. This structure often has a very profound effect on the properties of the material, such as the strength, hardness, corrosion resistance, etc. of the object. Nowadays, Laarman Labs uses 3D printing technology to replicate these microstructures and reveal them in the form of chairs, which is somewhat similar to the code behind the display materials. After all, it is the properties of these microstructures that determine the material.
For the artists of the creative team, this approach is not just a novelty, but the creation of the work through a dialogue directly with the manufacturing process. Just as the accumulation of molecules builds the microstructure of a chair, 3D printing technology is used to build these microstructures together.
It is reported that the creative team used laser sintering to create the structures that make up the chair. This technique can be used to create a very light and sturdy functional object. In addition, the creative team's optimization of the structural unit greatly reduced the amount of materials used in the chair, while also allowing the creative team to pay more attention to the pure external form.
Each square of the chair is open, and its color tone changes as the viewer's line of sight changes, adding more energy and anger to this monochrome work. In other words, the structure creates these tones and shadows, which are the result of the natural formation of the structure itself, a perfect combination of surface and form.
The aluminum gradient chair is now part of the permanent collection of the National Gallery of Victoria and the Vitra Design Museum.
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